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      <image:title>Bio For Kids - Can you find Neela in this picture? *</image:title>
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      <image:title>I Am Malala -    </image:title>
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      <image:caption>Photo by charliesamuels.com</image:caption>
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    <lastmod>2020-10-21</lastmod>
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      <image:title>Other Writing - The O. Henry Prize Stories: The Best Stories of the Year, 2006</image:title>
      <image:caption>“The Pelvis Series,” by Neela Vaswani “Language itself is the secret subject that drives another Eve—a linguist, not a biblical figure—in Neela Vaswani’s “The Pelvis Series.” In her research, Eve tries to push past the limits of species differences and develops a capacity for generosity and loyalty that’s absent in her human relationships. The charming affection Eve feels for her favorite chimp, Lola, is balanced by the cool reality of the primates’ life among the scientists.” – Laura Furman, editor “Fascinating story about learning and language” – Patrick Rapa, editor “One of the stories that I love to read again and again and again and again. Imaginative and beautiful.” – Laura Pegram, editor</image:caption>
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      <image:title>Other Writing - On "Dumb Show"</image:title>
      <image:caption>I first read Titus Andronicus as a seventeen-year-old, sneaking pilfered wine and Newports in the crawl space of my parents’ house. As a simmering teen wreathed in menthol smoke, cobwebs, and Pink Panther insulation, Lavinia’s plight enraged and validated me. I saw myself in her. Over the next decade she kept cropping up—a Jeopardy clue, a Christopher Street drag show, a Halloween costume. But when she appeared twenty years later in my American Studies dissertation on in-betweenness and identity, it startled me. I was staring at my knuckles above the keyboard, thinking how much hands say about a person, who she is and how she’s lived. And Lavinia appeared. She entered, page left, and wouldn’t leave—and I didn’t want her to. “Essay” comes from the French essayer, “to try.” I find that very moving. You can experiment in an essay. You can be free. I was interested in breaking the proverbial fourth wall of theater, but on paper. I wanted to change the story arc of a long-established, inviolate yet violated Shakespearean character. I wanted to keep Lavinia company. To see how different, or not, a woman of the sixteenth century was from a woman of the twenty-first. I was also, in truth, trying to find a sneaky way to meet the objective standards of a dissertation and still use my voice creatively. Maybe sneakiness is what brought Lavinia back to me. Maybe I will forever associate her with taboo and crawl spaces. Making form itself a tool in an academic endeavor felt right for my dissertation. And the essay—beautiful in-between creature that it is, accommodating and quirky and hybrid—seemed the right way to suture the gaps between the scholarly and emotional, the past and present, the personal and political, Lavinia and me. - Neela Vaswani</image:caption>
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      <image:title>Other Writing</image:title>
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      <image:title>Other Writing</image:title>
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      <image:title>Other Writing</image:title>
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      <image:title>Other Writing</image:title>
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      <image:title>Other Writing</image:title>
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      <image:title>Other Writing - Motif: Writing By Ear</image:title>
      <image:caption>“Feet on the Ground, Reaching for the Stars,” by Neela Vaswani A creative nonfiction essay about the radio, forbidden music, and love. “While names like Buddy and Julie Miller, Scott Miller and Patty Griffin appear in the list of contributors, their pages are poems (read: lyrics). The real beauty of the work comes in the other stories – the ones we all can relate to in one way or another. In the ambitious book, an anthology of writings about music, editor Marianne Worthington brings together essays, poems and short stories, both true and imagined. There’s the story of a first autoharp, dubbed “June” (“Country Gold” by Jason Howard), being a tour guide in Nashville (Kathi Whitley’s “From the Jim Reeves Museum with Love), and of bars with bands called “Dallas Alice” and bartenders named “Gina” (“Air Devil’s Inn on a Saturday Night” by Beth Newberry). Other pieces, Tiffany Williams’ “Feeling Sound” and the sense of accomplishment felt after covertly taping a forbidden radio show of Top 40 hits (Neela Vaswani’s “Feet on the Ground, Reaching for the Stars”) bring the same connectedness through shared experiences like a final encore when all the lighters (or cell phones) are whipped out. The final product is an emotion filled book for lovers of music and songwriting.” -Nichole Wagner, Uncommon Music review</image:caption>
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      <image:title>Other Writing - Mixed: An Anthology of Short Fiction on the Multiracial Experience</image:title>
      <image:caption>“Bing-Chen,” by Neela Vaswani “One key theme throughout the collection is that of identity or, more precisely, identities, as characters struggle to navigate and appreciate their multiple ethnicities. In “Bing-Chen,” Neela Vaswani weaves a tight, powerful tale about a young man with a Chinese mother and an absent German American father having his haircut in Chinatown. As with many of these affecting stories, what seems a simple endeavor — in this instance a haircut — turns out to contain myriad complexities. The protagonist has two names, Bing-Chen and David; he embodies at least two ethnicities: “Sometimes people could not tell he was Chinese; other times it was all they saw”; he yearns to be like the girls getting their hair done, or the Chinese girl cutting hair, all three wholly “one thing” and not, like him, divided into parts. An author comment follows each story, illuminating his or her biography, the story or both. Vaswani writes how as a young girl she, Indian and Irish, ached to “have what I mistakenly perceived as the stability of being ‘one thing.’ I felt the insipid social pressure, the myth that to be of two cultures is to be somehow confused.” —San Francisco Gate Review</image:caption>
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      <image:title>Other Writing - We All Live Downstream: Writings About Mountaintop Removal</image:title>
      <image:caption>“We Have Met the Enemy,” by Neela Vaswani An excerpt from the essay can be found here.</image:caption>
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    <loc>https://www.neelavaswani.com/same-sun-here-2</loc>
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    <lastmod>2020-07-17</lastmod>
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      <image:title>Same Sun Here</image:title>
      <image:caption>Meena and Dadi’s beloved mountains, as seen from Sister’s Bazaar. Uttarakhand, India. The foothills of the Himalayas, the youngest and highest mountains in the world.</image:caption>
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      <image:title>Same Sun Here</image:title>
      <image:caption>Langur monkeys playing. Mussoorie, India. Photo by Marianne Maeckelbergh.</image:caption>
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      <image:title>Same Sun Here</image:title>
      <image:caption>“We live in Chinatown, on the corner of Orchard and Hester. The F train on Delancey is very nearby.” -Meena, Same Sun Here</image:caption>
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    <image:image>
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      <image:title>Same Sun Here</image:title>
      <image:caption>Subway roaring by. F train, Delancey Street, New York City. What would Kiku do?</image:caption>
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    <image:image>
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      <image:title>Same Sun Here</image:title>
      <image:caption>Little Red Lighthouse, under the George Washington Bridge, New York City.</image:caption>
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      <image:title>Same Sun Here</image:title>
      <image:caption>Sister’s Bazaar, India. The cow that inspired Gopi (who walked Dadi home). Photo by Marianne Maeckelbergh.</image:caption>
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      <image:title>Same Sun Here</image:title>
      <image:caption>In May of 2006, Neela went on the “Writers and Photographers Tour” to protest mountaintop removal mining. The tour was sponsored by KFTC. This is how all the beautiful Appalachian Mountains, where River lives, are supposed to look.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Same Sun Here</image:title>
      <image:caption>This is what River’s Mamaw was fighting to stop.</image:caption>
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      <image:title>Same Sun Here</image:title>
      <image:caption>What’s left of a mountain near River’s house. To find out more about mountaintop removal, visit I Love Mountains.</image:caption>
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    <image:image>
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      <image:title>Same Sun Here</image:title>
      <image:caption>Essex Street, New York City. Ana Maria’s building.</image:caption>
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      <image:title>Same Sun Here</image:title>
      <image:caption>Sparkling view of the Hudson River from the inside of the Little Red Lighthouse.</image:caption>
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      <image:title>Same Sun Here</image:title>
      <image:caption>Flag Hill. Uttarakhand, India. Where Meena and Dadi liked to sit and watch the fog drift. Click here if you want to watch and hear it, too!</image:caption>
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      <image:title>Same Sun Here</image:title>
      <image:caption>Aarthi plate. Kempty, India. Photo by Ankit Pogula.</image:caption>
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      <image:title>Same Sun Here</image:title>
      <image:caption>Lady Liberty at dusk, as seen from the Staten Island Ferry. “Everything at Ellis Island reminded me of our family, except that we came on planes, not boats.” -Meena, Same Sun Here</image:caption>
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      <image:title>Same Sun Here</image:title>
      <image:caption>“My brother is seventeen years old. He has a big smile and strong legs because he is a bike messenger. All the girls love him, which makes him very conceited.” -Meena, Same Sun Here</image:caption>
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      <image:title>Same Sun Here</image:title>
      <image:caption>Wall in Chinatown, New York City. Near Mrs. Lau’s Senior Citizen Center. “Mrs. Lau has been in America twice as long as she was ever in Hong Kong. She has lived in her apartment for fifty-five years. She says NY Chinatown is home.” -Meena, Same Sun Here</image:caption>
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      <image:title>Same Sun Here</image:title>
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    <lastmod>2020-08-19</lastmod>
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    <loc>https://www.neelavaswani.com/where-the-long-grass-bends-1</loc>
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    <lastmod>2018-03-01</lastmod>
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      <image:title>Where the Long Grass Bends</image:title>
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    <loc>https://www.neelavaswani.com/same-sun-here-audio</loc>
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    <lastmod>2018-03-02</lastmod>
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      <image:title>Same Sun Here - Click HERE to learn more about Same Sun Here, the book  </image:title>
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    <loc>https://www.neelavaswani.com/an-unrestored-woman</loc>
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    <priority>0.75</priority>
    <lastmod>2020-08-19</lastmod>
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      <image:title>An Unrestored Woman</image:title>
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    <loc>https://www.neelavaswani.com/different-kind-daughter</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-09-25</lastmod>
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      <image:title>A Different Kind of Daughter</image:title>
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    <loc>https://www.neelavaswani.com/the-flame</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-03-27</lastmod>
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      <image:title>The Flame</image:title>
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  <url>
    <loc>https://www.neelavaswani.com/malala-my-story-of-standing-up-for-girls-rights</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-10-10</lastmod>
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      <image:title>Malala: My Story of Standing Up for Girls' Rights</image:title>
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  <url>
    <loc>https://www.neelavaswani.com/new-page-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-10-02</lastmod>
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      <image:title>American Like Me</image:title>
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    <loc>https://www.neelavaswani.com/we-are-displaced</loc>
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    <lastmod>2019-03-27</lastmod>
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      <image:title>We Are Displaced - Malala’s experiences visiting refugee camps caused her to reconsider her own displacement -- first as an Internally Displaced Person when she was a young child in Pakistan, and then as an international activist who could travel anywhere in the world except to the home she loved. In We Are Displaced, which is part memoir, part communal storytelling, Malala not only explores her own story, but she also shares the personal stories of some of the incredible girls she has met on her journeys -- girls who have lost their community, relatives, and often the only world they've ever known. In a time of immigration crises, war, and border conflicts, We Are Displaced is an important reminder from one of the world's most prominent young activists that every single one of the 68.5 million currently displaced is a person -- often a young person -- with hopes and dreams. “A stirring and timely book that strips the political baggage from the words ‘migrant’ and ‘refugee,’ telling the deeply personal stories of displacement and disruption that were lived by Yousafzai and nine other girls.” -New York Times Book Review</image:title>
    </image:image>
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    <loc>https://www.neelavaswani.com/new-page</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-04</lastmod>
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      <image:title>Only Plane in the Sky</image:title>
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  <url>
    <loc>https://www.neelavaswani.com/welcome-miller</loc>
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    <priority>0.75</priority>
    <lastmod>2025-05-12</lastmod>
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      <image:title>Welcome</image:title>
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